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Ashlander's avatar

I didn't realise you had written about Veilguard! It's on my agenda (have touched on it, but not broken down in detail), but it's so comprehensively bad I feel exhausted by the sheer amount there is to say about it. Taash is on all the thumbnail of every video rinsing the game, but is really only the tip of the iceberg.

Having said that, I was just astonished by Taash. They bundled every possible negative stereotype into one character, who was billed as 'expert dragon hunter', which only heightens the flash-bang effect when actually it's a whiny teenager who could not possibly be an expert in any skilled field of work, and says 'You don't get to tell me who I am!' not once but TWICE in the recruitment mission (and again later on, in case you didn't notice the first two times...). The way this game is written just broadcasts absolute contempt for the audience.

I have seen a number of video essays by trans people who hated the character, though judging by your experience with friends this is likely a minority view. But I am a bit suspicious of journalistic articles that claim to love Taash and to feel represented; it just seems like advertising. Veilguard also got suspiciously positive Metacritic scores, meanwhile back in reality they're already selling it for 40% off on Steam when it's barely three months old. BG3's biggest ever discount (that I'm aware of) was 20%, after about two years.

(User reviews there are also sitting below 70% positive, which is appalling for a game that took a decade and over a hundred million dollars to make...).

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Jim Mander's avatar

Really interesting piece. I know you start by saying you keep being disappointed - have any decent games you've played stuck the landing?

As far as the initial outpouring of approval [I know this was written a few months ago and that's mostly worn off] I would like to suggest that it's mostly just a conditioned response at this point. Every time new media comes out with a big budget and some potentially contentious social message connection, the same people line up on opposite sides to bark and howl at each other, and whatever they're arguing over is either the best or worst thing ever until they all find something else to fight about, at which point it's not worth thinking about further. It's like the energy of a mosh pit - nobody's really thinking about the lyrics or the instrumental performances, and they probably don't even remember the song afterwards.

And I think the real reason it seems to be wearing thin in general is not anything to do with any particular message or representation or bias or cultural attitudes changing. I think it's mostly people catching on that companies have taken to holding up an identity flag when it looks like they're delivering a flop.

And for what it's worth, I think despite your humility that you can't put a dent in a multi-billion dollar company's profit and impact, just by articulating exactly why you don't like something does help other people process their own misgivings and set firmer expectations for the future, as opposed to just vaguely remembering that 'I thought the last one was alright, everyone I know or read said it was alright, the next one will be alright.' And it might not make a dent in anything, but it's better than nothing.

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